suporte internet
The internet is not just a tool for dissemination but an artistic medium in itself. In Cyber Drama, online production becomes an extension of visual work, where videos, images, and interactions are not just content—they are performance, questioning, and critique.
I place myself simultaneously in the role of artist and content creator, bringing reflections on the themes I address and transforming the digital into a space of artistic experimentation. Through my production, I question how technology shapes our identities, our relationships, and even the way we consume art.
By transforming platforms like YouTube, TikTok, and Instagram into means of expression, I break the barriers between art and digital consumption. The content I create does not just follow trends—it tensions them, redefining lo-fi aesthetics, questioning the desire for constant updates, and exposing the fragilities of the online environment.
More than just sharing my creative process, I want others to see art as a possible path within the internet. Artistic production is not limited to galleries or museums—it also happens in the digital, where each video, post, or experiment is part of my work as an artist. The internet serves as a continuous exhibition space, a living archive where processes are dated and commented on in real-time.
Here, art does not seek to merely follow the accelerated flow of information but to question it, reflecting on its impacts before simply becoming part of it. Cyber Drama exists in this intersection: between documenting and creating, between living and archiving, between being and thinking about what one is.
More than just sharing my creative process, I want others to see art as a possible path within the internet. Artistic production is not limited to galleries or museums—it also happens in the digital, where each video, post, or experiment is part of my work as an artist. The internet serves as a continuous exhibition space, a living archive where processes are dated and commented on in real-time.
Here, art does not seek to merely follow the accelerated flow of information but to question it, reflecting on its impacts before simply becoming part of it. Cyber Drama exists in this intersection: between documenting and creating, between living and archiving, between being and thinking about what one is.
More than a means of circulation, the internet is a dynamic gallery, where each interaction is a reflection of the relationship between artist, audience, and technology. Digital art is not just a final product—it is the process itself, made of failures, connections, and reflections that are built as we navigate.
Moreover, this production carries a decolonial gaze on the internet, revealing how the dynamics of the digital reflect historical inequalities. If perfect images and algorithms dictate standards, Cyber Drama subverts this logic by incorporating flaws, noise, and technologies considered obsolete, reclaiming the power of error and imperfection as a form of resistance.
“After all, this is not about swallowing tears, but learning to cry where each drop becomes a sea where I can and know how to navigate.”